Magdalena
Pedro Martínez
Regional Oaxacan Black Ceramic Figures
A
sensitive young woman, Magdalena Pedro Martínez is both a ceramicist
and a phyisican. She currently devotes more time to ceramics than to medicine,
but has a small office in her pueblo. Both she and her husband, Raul,
also a physician, are available for housecalls.
Magdalena
specializes in female figures dressed in the traditional costumes of the
seven regions of the state of Oaxaca. She views this as her contribution
to the preservation of the culture of her beloved ancestors. She has 24
recorded costumes. One of her commissioned works was a collection of large
costumed figures for a museum in México City.
She
works in a combination of shiny black and matte surfaces that capture,
in the absence of color, the rich detail of the trajes (costumes).
She also produces elegant and pompus catrinas for Day of the
Dead, clothed in elaborate female dresses and parasols.
Magdalenda was 19
when she began dedicating herself to her art. Prior to that, she was in
medical school. She takes special pride in recreating costumes that are
no longer known.
She
begins by making the faces of her figures. Next she creates the torsos
separately. She rolls out a "tortilla" of clay and
folds it over. The skirt and blouse are added to the torso. Finally the
arms and face are attached. These segments are followed by accessories,
such as a rebozo (shawl) or pineapple. Each part must dry for
two hours before being assembled. She estimates that it takes her a day
to complete this portion of the process. To engrave the piece takes yet
another day. To dry, another eight hours in the dry season and up to four
days in the rainy season. Quartz is used to burnish the piece giving it
a shiny finish. Pieces are fired overnight and removed from the oven in
the morning. From start to finish, the process takes approximately one
week.
If you are interested
in purchasing Magdalena's work, call Marianne Carlson at 011522 376 765
7485 or email mariannecarlson@gmail.com

(Our
thanks to Karen Henderson for the use of her photographs)
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