Jose Guadalupe Posada's (1852-1913) scathingly humorous portraits of society and political figures were never meant to last. Written in the late 19th and early 20th centuries on flimsy newspaper, his satirical illustrations were read by the residents of Mexico City and then discarded. But Posada's prints did manage to survive the test of time, despite the paper they were printed on.

Posada considered all members of the community fair game for his satirical wit. His most enduring image is the calavera Catrina, dressed in elegant European finery, adorned with a wide-brimmed, feathered hat. Originally he created La Catrina to illustrate the popular song “La Cucaracha.” Later he used this image to parody overdressed Mexican women who at the time had an obsession for French culture.

At first glance many are appalled or put off with figures of skeletons dressed in outrageous clothing. In Mexican folk art, death is seen as the other half of life and is a common motif. Mexico’s more lighthearted depiction of death is a good reminder for us of the inevitable and there is no more fitting creation than the Catrinas - one of the most whimsical artforms Mexico has to offer.

Laureano has taken the spirited skeleton dressed in elegant finery created by José Guadalupe Posada and turned her into an art form. Although most of the Catrinas are female, Laureano gives males equal time and many of his creations are charros (Mexican cowboys), bridegrooms, or other manly figures. The detail is incredible and each is handmade and one-of-a-kind.

2006 was Laureano's first time at Feria Maestros del Arte. His whimsical handcrafted catrinas stole the show.

If you are interested in purchasing work from Laureano, call Marianne Carlson at 01152 376 765 7485 or email mariannecarlson@gmail.com

(Our thanks to Karen Henderson for the use of her photographs)