Miguel Fabian Pedro
Barro Negro (Black) Ceramics
Miguel Fabian Pedro was
born August 28, 1951, in San Bartolo Coyotepec, Oaxaca. Village Crafts
by tradition, as the son and grandson of artisans. His parents, Rufino
Fabian Pedro Garcia and Maria Ortiz, taught Pedro his craft. He is the
fifth generation of barro negro ceramicists in his family.
A master craftsman, Pedro works in pieces ranging from 20 to 135 cm tall. His work is unique and inspired by the Mesoamerican cultures of the Mixtec and Zapotec peoples, their beliefs, designs and techniques.
Miguel has won local and national competitions and awards, and his innovative style has taken his family's legacy into a new era of barro negro pottery.
San Bartolo Coyotepec, Oaxaca has produced pottery for centuries. Pottery artifacts unearthed in many of Oaxaca's archaeological sites have been traced to the clay found only in this area. The earthenware vessels were once used to transport mescal from hillside farms into the communities for sale. The containers held about 3 gallons each and were lashed together and slung over the backs of burros for the journey. With the advent of plastic jugs, the use of the heavy pottery was abandoned. The potters of Coyotepec began to search for new applications of their pottery skills.
Doña Rosa, a legend in the pottery world (she died in 1980), came up with a method for making decorative black pottery from the local clay. Her work has received numerous awards and is included in collections worldwide including those of Rockefeller and the Smithsonian.
The technique she developed to give the black pottery its trademark sheen is the burnishing of the pot with quartz. No glazes are used. The potters of Coyotepec continue to use their traditional method of turning pots without a wheel. The technique uses two concave clay plates, one upside down supporting the other. This method is of pre-Hispanic inheritance, the pieces are molded on this device. The entire process to develop a finished piece takes 20 to 30 days and goes from molding to decoration, to slow drying in closed rooms, polishing with a quartz stone and finally to baking where the pieces acquire their notable black color. Although Doña Rosa attempted to keep her technique a secret, eventually word got out. The pottery is decorative only and should not be used for cooking or serving.

Contact information:
marving14@hotmail.com
Or contact Marianne Carlson at (from
the US) 01152 376 765 7485 or email mariannecarlson@gmail.com.
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